{"id":1104,"date":"2020-08-01T18:36:14","date_gmt":"2020-08-01T18:36:14","guid":{"rendered":"https:\/\/dodgemillmuseum.com\/?p=1104"},"modified":"2020-08-01T18:36:14","modified_gmt":"2020-08-01T18:36:14","slug":"new-bedford-art-museum-3","status":"publish","type":"post","link":"https:\/\/dodgemillmuseum.com\/?p=1104","title":{"rendered":"NEW BEDFORD ART MUSEUM"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>19th Century Landscapes from the<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>New Bedford Free Public Library\u2019s Collection<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong> <img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1105 aligncenter\" src=\"https:\/\/dodgemillmuseum.com\/wp-content\/uploads\/2020\/08\/B-NBAM-961.001.002-Bradford_-William.-Mount-Hood-_300dpi_.-Library-purchase_-1961.-300x203.jpg\" alt=\"\" width=\"300\" height=\"203\" \/><\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>Curated by Allie Copeland<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>8\/15 \u2013 12\/31\/2020<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>Artists who created landscapes that sought to evoke feelings of awe, fear, or exaltation were said to be depicting the\u00a0Sublime.\u00a0These artists often enhanced the grandeur of their landscapes with dramatic contrast in lighting and exaggeration of certain natural features, like the height of a cliff, in order to recreate the\u00a0feeling\u00a0of that scene inside the safety of their studio.<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>New Bedford Free Public Library Presents<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>CITY GALLERY AND READING ROOM<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>Since 1852, the library has amassed extensive holdings of printed works, manuscripts, graphics, fine art, and objects used for research, exhibit, and educational purposes. <\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>The art collection is on public view at the Main Library, and special exhibitions, curated by Allie Copeland, are showcased in the City Gallery at the New Bedford Art Museum.<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #950000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>Coming soon!<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong><em>\u00a0<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>Bradford, William. Mount Hood. NBFPL, 1961.<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>Pastoral Light<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>19th Century Landscapes from the New Bedford Free Public Library\u2019s Collection<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>Curated by Allie Copeland<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>On View at NBAM 8\/15 \u2013 12\/31\/2020<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>This exhibition is produced in conjunction with\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #ce0000;\"><strong><a style=\"color: #ce0000;\" href=\"https:\/\/datma.org\/\">DATMA\u2019s summer programming<\/a><\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>In the 19<sup>th<\/sup>\u00a0century, landscapes had become increasingly popular subjects for American artists, as the first industrial revolution meant more families living in urban centers looking for vicarious experiences in their art. This interest gave rise to \u201cartist adventurers\u201d like William Bradford, and allowed for the development of new movements in American art, like the Hudson River School painters.<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>Artists who created landscapes that sought to evoke feelings of awe, fear, or exaltation were said to be depicting the<em>\u00a0Sublime.\u00a0<\/em>These artists often enhanced the grandeur of their landscapes with dramatic contrast in lighting and exaggeration of certain natural features, like the height of a cliff, in order to recreate the\u00a0<em>feeling<\/em>\u00a0of that scene inside the safety of their studio. The subject of these paintings was then not just the landscape itself, but also the feeling it conjured.<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #00274e;\"><strong>On the other hand, many 19<sup>th<\/sup>\u00a0century artists still created landscapes that were inspired by European pastoral and picturesque ideals rather than the new epic romanticism of the era. These artists produced calmer, simpler scenes of rural landscapes, sometimes entirely invented, and often with an element of human presence that reinforced man\u2019s dominion over nature, like Joseph Van Luppen\u2019s cowherd in the Alps. A pastoral or picturesque landscape might evoke feelings of calm, comfort, or harmony and encourage the viewer to leisurely reflect on the vista depicted.<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>19th Century Landscapes from the New Bedford Free Public Library\u2019s Collection Curated by Allie Copeland 8\/15 \u2013 12\/31\/2020 \u00a0 Artists who created landscapes that sought to evoke feelings of awe, fear, or exaltation were said to be depicting the\u00a0Sublime.\u00a0These artists often enhanced the grandeur of their landscapes with dramatic contrast in lighting and exaggeration of<\/p>\n<p class=\"more-link\"><a href=\"https:\/\/dodgemillmuseum.com\/?p=1104\" class=\"themebutton2\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"admin","author_link":"https:\/\/dodgemillmuseum.com\/?author=1"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/dodgemillmuseum.com\/?cat=1\" rel=\"category\">Uncategorized<\/a>","rttpg_excerpt":"19th Century Landscapes from the New Bedford Free Public Library\u2019s Collection Curated by Allie Copeland 8\/15 \u2013 12\/31\/2020 \u00a0 Artists who created landscapes that sought to evoke feelings of awe, fear, or exaltation were said to be depicting the\u00a0Sublime.\u00a0These artists often enhanced the grandeur of their landscapes with dramatic contrast in lighting and exaggeration ofRead&hellip;","_links":{"self":[{"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1104"}],"collection":[{"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1104"}],"version-history":[{"count":1,"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1104\/revisions"}],"predecessor-version":[{"id":1106,"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1104\/revisions\/1106"}],"wp:attachment":[{"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dodgemillmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}